I think it’s a well-known fact by now that I like sewing my own jeans. I might have mentioned it once or twice. So this pair of cropped Morgan jeans was supposed to be THE ONE, after making enough pairs to know exactly what I wanted to tweak to make them perfect. THE ONE, I tell you!
They look quite good, right?
But they were a big fat SEWING FAIL.
The first mistake was the fabric. I got so excited when I saw this lovely 100% cotton denim on the Fabrics Galore website, that I ordered it without checking the weight. It’s a 4oz denim, more of a chambray really, and I was so disappointed when it turned up. It went in the stash, and I wasn’t quite sure what to do with it, but some crazy little voice told me to give the jeans a go with it anyway, since I didn’t really have anything else I wanted to use it for and I did want another pair of jeans. I really shouldn’t trust the crazy little voice…
So, spoiler: the main reason for the fail is that the fabric is not really heavy enough for jeans. But it doesn’t stop there…
In my last two pairs of Morgan jeans and both my Gingers, one thing I’ve noticed is that the pocket facing is a little small, and peeks out of the pocket when I sit down. I made a mental note to make the inside curve a bit larger next time. Should’ve made a written note… that was my next fail! As you can see from these photos, the pocket facing pulls quite a bit because the fabric isn’t heavy enough to keep it down.
I also used regular buttons on the button placket, as I was worried the fabric wouldn’t be quite strong enough to withstand jeans hardware, so the only proper jeans button is the one on the waistband.
That’s about the best thing I can say about the waistband, because…
The waistband was my biggest error. I didn’t have enough denim to use for the waistband lining, so I chose a quilting cotton that matched my pocket linings. Because it’s pretty lightweight for a waistband, and because there’s no stretch in the denim, I interfaced it to make it a bit sturdier. Good idea, I hear you cry, she’s got this jeans thing down to a fine art… but if you read my last post about Closet Case Patterns jeans, you’ll know I interfaced the waistband on my first pair of Gingers and had to unpick and re-do the whole thing because it made the waistband so uncomfortable. So why why why oh why did I do it again? Well, the Gingers use stretch denim, so the interfacing restricted the stretch. Morgan specifies no stretch, so I thought it would be a good idea. Too much thinking going on with these jeans – the waistband is so unforgiving, I might as well have interfaced it with steel rods.
To make matters worse, this wasn’t even the first time I’d stitched this waistband. Oh no, the first time I stitched it on with the wrong side facing out!
So I’d already spent an entire evening unpicking my extremely tiny stitches to re-attach the waistband. Pour me a gin…
The one thing I like about my waistband (there has to be something!) is that I attached the waistband to the waistband lining with a 3/8” seam rather than 5/8”. In my last two pairs I found the waistband a little too narrow, so this was a good way of adding extra depth without re-drawing the whole pattern piece. Every cloud…
OK, if we’re moving on to silver linings, here are some more:
Topstitching. Oh I love topstitching. As you can see from the close-ups, I use a short stitch for greater accuracy (I set my stitch length at 2.2). I also love the little flower stitch on my machine, so I measured out the length of a full flower motif, and marked on my back pockets where I’d have to start and finish the flower stitch to have four parallel flowers on each side. I think one of the reasons I’m so disappointed with the failure of these jeans is all the work that went into those pockets! But you can see from the second pic that even they are too flimsy once I’m wearing the jeans:
Next silver lining: while I was making these jeans, a perfectly timed little sewing tip landed in my inbox from the Colette Patterns “Snippets” email list. The suggestion is that you pass a length of thread through the corners of the area you’re topstitching (in this case, the waistband), and when you get to the corner you pull on the thread to stop the fabric getting chewed up by the feed dogs. I used topstitching thread to pull on, as it’s stronger and so wouldn’t break, and it worked perfectly! Then afterwards you just pull that thread out, and you’re left with a gorgeous topstitched corner.
I’d add another little tip here, too: the pattern instructions for both Morgan and Ginger have you start the topstitching at one of the corners. You couldn’t really pick a trickier place to start and end your topstitching (especially if you’re doing a backstitch or a lockstitch), so I prefer to start just above one of the side seams. I either start with a lockstitch, and then when I get back round to where I started, I lockstitch again, or I just start stitching with a normal stitch and then when I get back round to the start I carry on stitching over my original stitch line and then secure the threads on the inside. Both methods work well – the second one is easier, so it’s good if you’re new to topstitching or sewing jeans for the first time.
I also used the technique for turning out the waistband corners that I mentioned in an earlier blog post about sewing jeans – this time I folded the seam allowances down over the corner before turning it out, and it worked really well.
So there are many features of these jeans that I’m really pleased with, and yet they are one of the least wearable items in my wardrobe. I’ve tried wearing them out twice, and they just make me feel uncomfortable and self-conscious. But who wants to end on a negative note? Here’s a picture of them in action at the seaside, shortly before they got soaked when I recklessly ran too far into the sea.
Till next time, sewing friends, and thanks for reading!